Intention, Attention & Will
What does intention have to do with the air?
We usually think of intention as something we have in mind: what we mean to say, what we want to do. It seems to belong to us, somewhere inside, before we speak or act.
But intention once had a life outside the mind. For the ancient Stoics, the world was held together by the tension of material breath. Seneca called this tension intentio. It moved bodies and made voices sound: intention was already musical, before it became something a voice was supposed to express.
- tonos Greek
- Tension and musical tone; in Stoicism, the tension of material breath.
- intentio Latin
- A word for stretching or tension, used for the tension of air before its later meanings of attention and intention.
My research follows how this tension became a power of the soul. Through attention and will, intention came to explain how a mind could perceive the world, act upon it, and turn back toward itself in thought and love—while remaining separate from the body.
- attentio Latin
- Attention: in Augustine, the soul’s activity in attending to what the body undergoes.
- voluntas Latin
- Will: in Augustine, also the activity that joins perception, memory, and thought, and takes the form of love.
This history still shapes how we understand ourselves. We tend to associate thinking with directing our attention, and freedom with deciding what to do. Even when psychology replaced the soul with nerves, attention and will retained much of their old importance.
- Spannung German
- Tension; part of the physiological vocabulary through which attention and will came to be understood as activities of the nerves.
Yet the musical and bodily meanings of intention never entirely disappeared. In poetry, tone and rhythm offer another way to understand thought and feeling: as something happening through our bodies and the world around them, rather than beginning in a separate inner life.
This is also where intention meets atmosphere. My work brings the histories of Stimmung and ambiance together, tracing how musical attunement and the air surrounding us came to seem like different things. They belong to the same history that separated intention from material tension.
- Stimmung German
- Tuning, attunement, or mood; a word whose musical history connects feeling with bodies and their surroundings.
- ambiance French
- The atmosphere surrounding us; a word whose history leads back to the air that envelops a body.
My writing on distraction and AI returns to the question from another direction. What happens when attention is no longer fixed on one thing, or when language takes shape without a single mind directing it? These are questions about creativity, but also about why we have learned to recognize some activities as thought and overlook others.
- The Intention of the Breath: From Breath to Spirit, from Intention to AtmosphereThe book follows intention from material breath to spirit, and from intention to atmosphere.Monograph · Routledge Critical Perspectives on Breath and Breathing · under contract
- The Intention of the Spirit: Air, Breath, and Voice in European Poetry and PhilosophyThe doctoral dissertation behind this research on air, breath, and voice.Doctoral dissertation · Comparative Literature, Harvard University · 2023
- “Seneca’s Natural Questions, Book II: The Oldest Extant Account of the Stoic Conception of the Intention of the Air.”Seneca’s account of intention as the tension of material air.Article · Sophia 65.2 · 2026 · open access
- Spannung and TonusThe musical and pneumatological history of tension and tone, from ancient philosophy to modern aesthetics.Dictionary entry · Wörterbuch ästhetischer Kraftbegriffe · accepted
- “From Voice to Pneuma and Back: Italian Pneumatologies Against Derrida’s Grammatology.”The return to breath in Italian responses to Derrida’s account of the voice.Article · The Journal of Italian Philosophy 5 · 2022
- “Intentio Spiritus: The Materialist, Pneumatological Origins of Intention in Augustine.”How the tension of breath becomes the attention and will of an immaterial soul.Article · Poligrafi 28.111/112 · 2023 · open access
- “Res Intensa: Augustine, Descartes, and the Inclusive Exclusion of Breath.”The Augustinian history behind Descartes’ separation of thought from bodily tension.Chapter · Philosophy of Breath: A Critical Anthology · Bloomsbury Academic · 2027
- Intentio Spiritus: the Pneumatological Origins of Intention in Augustine and the StoicsA conference paper on the Stoic background to Augustine’s conception of intention.Conference paper · Respiratory Philosophy: A Paradigm Shift · Portorož · 18–21 June 2023
- “Stimmung, Nerves, and Atmosphere: Towards a Somaesthetic Understanding of Poetry.”How nervous tension enters the history of Stimmung and modern poetry.Chapter · Somaesthetics of Atmosphere · Studies in Somaesthetics 11 · Brill · 2027
- “Il vento, la voce, il nichilismo: Giorgio Caproni e il dibattito filosofico italo-francese sulla voce.”Wind and voice in Caproni’s poetry, read alongside the philosophical debate on the voice.Article · Finzioni 4.8 · 2024 · open access · Italian
- “Poetry and Breath: The Role of Air in Modern European Poetry.”The role of air and breath in modern European poetry.Chapter · Handbook of Critical Respiratory Studies · Springer · online first, 5 March 2026
- Rimaterializzare la Stimmung: Nervi e atmosfera in Hugo von Hofmannsthal e Hermann BahrA talk on the bodily and atmospheric meanings of Stimmung.Invited talk · Etica della letteratura, University of Florence · 17 December 2024
- Nicht Geist, sondern Atem: The Re-Materialization of the Spirit by Modern European PoetryBreath and spirit in modern poetry, discussed at a Hamburg roundtable.Roundtable paper · Junior Network Roundtable, HIAS Hamburg · 8 February 2024
- “Ein Hauch um nichts”: Breath and Wind in Modern German PoetryBreath and wind in modern German poetry.Invited lecture · German Literature in Koper, ZRS Koper · 16 January 2024
- Wind, Atmosphere, Stimmung — two invited lecturesTwo lectures on breath, voice, and atmosphere in European poetry and philosophy.Comparative Literature, Prof. Hisayama · Kobe University · December 2024 — January 2025
- Leo Spitzer Today: Towards a New Archaeology of Atmosphere (Stimmung and Ambiance)Spitzer’s history of Stimmung and its relation to atmosphere.Conference paper · I Colóquio de Estudos Atmosféricos, Niterói · 24 – 25 March 2025
- From Intention to Atmosphere: The Forgotten Respiratory and Atmospheric Roots of European CultureA lecture bringing the histories of intention and atmosphere together.KOIAS Talk · Kobe University · 4 December 2024
- Voice as Atmosphere: The Pneumatological Place of Things in Contemporary Italian and Japanese PhilosophyThe voice as an atmospheric event rather than the expression of an inner self.Workshop paper · Aesthetics of Atmosphere, Force, Breath, Academia Sinica, Taipei · 30 September – 1 October 2024
- Review of Alessandra Aloisi, The Power of Distraction: Diversion and Reverie from Montaigne to ProustA review of Alessandra Aloisi’s account of distraction, attention, and creativity.Review · Sofia Philosophical Review XVII.2 · 2024
- Attention is not all you need: on LLMs as Creative MachinesA critique of attention as our default model of thought, from philosophy to AI.Essay · unpublished · 20262026
- Poetry and AI: LLMs as (Surrealist) Poetic MachinesAutomatic writing and poetic creation as ways to understand language models.Lecture · Poesiæuropa · 20242024